Russian Accent | Blog of Nadia Sikorsky

Who Owns Russian Culture?

For four years now, this question, so important to me, has not left the agenda, whether in private conversations, in the international press, or simply in life itself. Allow me to return to the day when I first asked it of myself.

“The Georgian Mozart” will perform in Geneva

On March 6th, the concert agency Cæcilia presents a recital by the pianist Tsotne Zedginidze, born in 2009. The programme includes works by Beethoven, Schumann, Brahms and… by the young musician himself.

Enchanted Fiennes and Coffee with Lensky

British actor Ralph Fiennes did not exaggerate when he said that he had no intention of departing from the original storyline as he embarked on Eugene Onegin by Pyotr Ilyich Tchaikovsky, his first operatic production. This directorial venture on the stage of the Paris Opera drew a wide range of reactions, and I took the opportunity to compare my own impressions with those of tenor Bogdan Volkov, the interpreter of Lensky, whose performance left me truly delighted.

Vadim Repin: “The Profession Comes First”

The participation of the Russian violinist in the festival Les Sommets musicaux lent an event usually free of controversy a faint aura of scandal. Media outlets in several countries seemed interested in little else, which one can only regret. The festival audience, however, came for the music, and the music did not disappoint.

War Arabesques

Today, a short story collection by the Ukrainian writer Serhiy Zhadan is reaching bookstores in Switzerland, France, Belgium, and Canada. Published by the Lausanne-based Éditions Noir sur Blanc in Iryna Dmytrychyn’s French translation, it bears the title "No One Will Ask Anything. News from Kharkiv" (Personne ne demandera rien. Nouvelles de Kharkiv).

Wizard vs. Mage : When a Word Flatters Power

The Swiss release of The Kremlin Wizard, a film by the French director Olivier Assayas based on Giuliano da Empoli’s novel Le Mage du Kremlin, has, unsurprisingly, triggered a wave of emotions and commentary. I, too, will say a few words.

Spirits at Art Genève

Today, the traditional contemporary art fair opens at Geneva’s Palexpo exhibition centre, an event I have followed since its founding in 2012. This year, however, one particular stand is of special interest to me: for the first time, the Barbier-Mueller Museum is taking part in the project.

A Museum of Survival

By decision of the United Nations, 27 January, the day Auschwitz concentration camp was liberated by Soviet troops in 1945, is observed as International Holocaust Remembrance Day. On this occasion, I would like to tell you about the Jewish Museum of Switzerland in Basel, which I visited last week.

Is Russian Culture Doomed?

Cette question est au cœur du nouveau recueil d’essais de Mikhaïl Chichkine, Le Bateau de marbre blanc, paru récemment en français aux éditions lausannoises Éditions Noir sur Blanc et disponible dans les librairies de Suisse, France, Belgique et Canada.

Alain Blum and Emilia Koustova: "History shows us how unpredictable the future is!"

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

Vladimir Jurowski: "Music can afford to be apolitical, but the musician cannot"

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.

The Secrets of the Gstaad Palace

The Palace, Roman Polanski’s black comedy, which has proven adept at provoking sharply polarized reactions, has been released in Swiss cinemas, first in the German-speaking part of the country and now in French-speaking Switzerland. The reception it has received has aroused our curiosity.

Racism Swiss-Style, Seen by James Baldwin

The multitude of people one meets in life can easily be divided into two groups: those who lift us up and those who drag us down. The first group outweighs the second, and the earlier we choose it, the more interesting and fulfilling our existence becomes. In my youth, I had the incredible fortune of meeting many exceptional people who influenced me. James Baldwin is one of them.

The Far West of the East

The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.

Not a Child’s Game

Nasha Gazeta invites its concerned readers to a concert organized with young musicians and dedicated to them.

Konstantin Mitenev: Awaiting Expulsion

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

Elisaveta Leonskaya: “We were taught to look for music within ourselves”

In all the photographs, Elisaveta Ilyinichna Leonskaya, whom the French-language press refers to only as a grande dame, is dressed in black, without a smile. I too imagined her as strict, unapproachable, withdrawn. Yet upon meeting her in person, this image dissolved within minutes. The main feature of Leonskaya’s face is her eyes. Large, blue, radiant, drawing one in. Next comes the smile, which hardly ever leaves her face.

Evgeny Kissin: “My Only Criterion Is Love”

As part of the Verbier Festival, which concluded a few days ago, the celebrated musician agreed to a public interview, which the organisers entrusted to the author of these lines. It turns out that had Kissin not become a pianist, he might have become a journalist.

Yuri Norstein: “We simply work…”

One of the guests at the “Zaubersee” music festival, recently held in Lucerne, was, somewhat unexpectedly, the outstanding Russian animator whose Tale of Tales was признана the greatest animated film of all time. His work was the focus of a special programme, “An Evening with Norstein”. I had the rare opportunity to speak with the Master in a relatively calm setting.

About the author

Nadia Sikorsky

Nadia Sikorsky grew up in Moscow where she obtained a master's degree in journalism and a doctorate in history from Moscow State University. After 13 years at UNESCO, in Paris and then in Geneva, and having served as director of communications at Green Cross International founded by Mikhail Gorbachev, she developed NashaGazeta.ch, the first online Russian-language daily newspaper, launched in 2007.

In 2022, she found herself among those who, according to Le Temps editorial board, "significantly contributed to the success of French-speaking Switzerland," thus appearing among opinion makers and economic, political, scientific and cultural leaders: the Forum of 100.

After 18 years leading NashaGazeta.ch, Nadia Sikorsky decided to return to her roots and focus on what truly fascinates her: culture in all its diversity. This decision took the form of this trilingual cultural blog (Russian, English, French) born in the heart of Europe – in Switzerland, her adopted country, the country distinguished by its multiculturalism and multilingualism.

Nadia Sikorsky does not present herself as a "Russian voice," but as the voice of a European of Russian origin (more than 35 years in Europe, 25 years spent in Switzerland) with the benefit of more than 30 years of professional experience in the cultural world at the international level. She positions herself as a cultural mediator between Russian and European traditions; the title of the blog, "The Russian Accent," captures this essence – the accent being not a linguistic barrier, not a political position but a distinctive cultural imprint in the European context.

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The decision of the Music Society of La Chaux-de-Fonds not to cancel the concert by Elisabeth Leonskaja and The Jerusalem Quartet, scheduled for 22 March, has turned what would have been an ordinary cultural event into a victory of reason and professionalism. I will explain why and present an exclusive interview with the outstanding pianist.

The country’s largest art museum has decided to become a leader in preserving the heritage of Switzerland’s greatest artist and one of the most important sculptors of modernism on a global scale, whose double anniversary is being marked this year: 125 years since his birth and 60 years since his death.

For the first time in my journalistic career, I want to tell you about a concert I have no intention of attending. And the reason, of course, has nothing to do with the brilliant composers whose works appear on the programme, nor even with the performers. The problem is the “packaging”, which deeply shocked me.