Russian Accent | Blog of Nadia Sikorsky
The multitude of people one meets in life can easily be divided into two groups: those who lift us up and those who drag us down. The first group outweighs the second, and the earlier we choose it, the more interesting and fulfilling our existence becomes. In my youth, I had the incredible fortune of meeting many exceptional people who influenced me. James Baldwin is one of them.
The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.
It so happened that over the past couple of months I have plunged headlong into the work of the 35-year-old Russian director Timofey Kulyabin, towards whom I had previously – and now it can be admitted – felt a certain wariness: the scandalous story with Tannhäuser had indeed left that notorious taint.
On 29 May, the Mikhailovsky Theatre in St Petersburg will host a gala concert marking the 40th anniversary of the artistic career of the distinguished Georgian singer. I had the opportunity to speak with him shortly before this event.
Paata, you were born in Tbilisi, studied in Milan and Odessa, yet you describe yourself as a representative of the Russian bass school. Why?
In all the photographs, Elisaveta Ilyinichna Leonskaya, whom the French-language press refers to only as a grande dame, is dressed in black, without a smile. I too imagined her as strict, unapproachable, withdrawn. Yet upon meeting her in person, this image dissolved within minutes. The main feature of Leonskaya’s face is her eyes. Large, blue, radiant, drawing one in. Next comes the smile, which hardly ever leaves her face.
One of the guests at the “Zaubersee” music festival, recently held in Lucerne, was, somewhat unexpectedly, the outstanding Russian animator whose Tale of Tales was признана the greatest animated film of all time. His work was the focus of a special programme, “An Evening with Norstein”. I had the rare opportunity to speak with the Master in a relatively calm setting.

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