Russian Accent | Blog of Nadia Sikorsky

“What is Cooking in the Kremlin”

This is how I would propose translating into English the title of Witold Szabłowski’s book Rosja od kuchni, recently published in French by the Lausanne-based publishing house Editions Noir sur Blanc under the title “Ce qui mijote au Kremlin”.

Bright Colours of “Invisible Men”

Kunsthaus Zürich presents the first survey exhibition in Switzerland of the contemporary American artist Kerry James Marshall, organised in collaboration with the Royal Academy of Arts in London and the Musée d’Art Moderne de Paris.

"Rays and Shadows". Without Retouching or Illusions

What can one expect from a film about real people whose fate we already know? Quite a lot, as it turns out. Over three and a half hours, the viewer follows the protagonists of Rays and Shadows, Xavier Giannoli’s latest film, along the road to hell paved with good intentions, or, more precisely, along the path from the pacifist illusions of the post-war period to active collaboration during the Nazi occupation of France.

Нуриев. Noureïev. Nureyev. Nurejew.

A tribute in ballet form to the great Russian dancer, created by Kirill Serebrennikov, Yuri Possokhov and Ilya Demutsky, is currently being performed on the stage of the Berlin State Opera. But it was conceived for the stage of the Bolshoi Theatre in Moscow, where I had the good fortune to see it several years ago. So I can compare my impressions.

Who Will Answer for “Shosta”?

For the first time in my journalistic career, I want to tell you about a concert I have no intention of attending. And the reason, of course, has nothing to do with the brilliant composers whose works appear on the programme, nor even with the performers. The problem is the “packaging”, which deeply shocked me.

Who Is Mr Nobody Who Is Against Putin?

I offer reflections on a documentary film by a former school videographer from a provincial Russian town, "Mr Nobody Against Putin", which has sparked heated debate in professional circles and on social media.

Kunsthaus Zürich will become the centre dedicated to Alberto Giacometti

The country’s largest art museum has decided to become a leader in preserving the heritage of Switzerland’s greatest artist and one of the most important sculptors of modernism on a global scale, whose double anniversary is being marked this year: 125 years since his birth and 60 years since his death.

What Nationality Is Music?

The decision of the Music Society of La Chaux-de-Fonds not to cancel the concert by Elisabeth Leonskaja and The Jerusalem Quartet, scheduled for 22 March, has turned what would have been an ordinary cultural event into a victory of reason and professionalism. I will explain why and present an exclusive interview with the outstanding pianist.

Lucerne Impressions

In just two days at the Le Piano Symphonique festival, I gathered enough impressions for an entire season. Let me share them with you.

A Realm of Darkness Without a Ray of Light

Today, the novel Return to Ostrog by Sasha Filipenko goes on sale in bookshops across Switzerland, France, Belgium, and Canada. The French translation, by Marina Skalova, has been published by the Lausanne-based Éditions Noir sur Blanc

A Violin Obsession

From January 30 to February 7, the renowned Swiss Alpine resort of Gstaad will host the international Sommets Musicaux festival for the 26th time — a place where everyone is sure to find something to delight their ear.

“Two Prosecutors”

This is the title of the film by Ukrainian director Sergei Loznitsa, presented as part of the Geneva Black Movie festival.

Musical Waves on Lake Lucerne

From 12 to 18 January 2026, the city on the shores of Lake Lucerne will host the international music festival Le Piano symphonique, whose inspirer, or “associated pianist”, is none other than Martha Argerich herself.

World Literature Through the Faces of Its Authors

The splendid album created by Luc Debraine and published by the Lausanne-based Éditions Noir sur Blanc offers us the rare pleasure of seeing the real faces of those who, for decades, have nourished our imaginations.

The “Wool Paintings” and the Russian Trace in the Alice Bailly Exhibition

Two rooms of the Kunsthaus Zürich are hosting, until 15 February 2026, an exhibition devoted to the artist Alice Bailly (1872–1938), born in Geneva and deceased in Lausanne. This presentation is the result of a collaboration between the Zurich museum and the Musée cantonal des Beaux-Arts of Lausanne (MCBA).

“The Angel of Death” on Swiss Screens

Kirill Serebrennikov’s film The Disappearance of Josef Mengele, which premiered at the Cannes Film Festival this May and is devoted to the Nazi criminal who managed to elude justice, has now reached screens across the country.

Kyril Zlotnikov: “No one will steer us off our musical path”

On November 27, the Jerusalem Quartet will perform at the Geneva Conservatory. Three of its members speak fluent Russian. I am delighted to present this wonderful chamber music program and to give the floor to one of the ensemble’s co-founders. The interview took place a few days before the shameful incident at the Philharmonie de Paris.

La Forza del destino, or War in a Neutral Country

After a three-year absence, world-renowned Russian soprano Anna Netrebko returned to the Zurich Opera House in the role of Donna Leonora in Giuseppe Verdi's masterpiece, commissioned by Tsar Alexander II and first presented to the public in St. Petersburg. The premiere took place despite the Ukrainian Embassy in Switzerland's demand that it be canceled.

«Deconstructing Félix»

Thus, paraphrasing the title of an old Woody Allen movie, one could title the exhibition "Vallotton Forever," currently showing at the Cantonal Museum of Fine Arts in Lausanne and dedicated to one of Switzerland's most famous artists.

Is Russian Culture Doomed?

Cette question est au cœur du nouveau recueil d’essais de Mikhaïl Chichkine, Le Bateau de marbre blanc, paru récemment en français aux éditions lausannoises Éditions Noir sur Blanc et disponible dans les librairies de Suisse, France, Belgique et Canada.

Alain Blum and Emilia Koustova: "History shows us how unpredictable the future is!"

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

Vladimir Jurowski: "Music can afford to be apolitical, but the musician cannot"

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.

The Secrets of the Gstaad Palace

The Palace, Roman Polanski’s black comedy, which has proven adept at provoking sharply polarized reactions, has been released in Swiss cinemas, first in the German-speaking part of the country and now in French-speaking Switzerland. The reception it has received has aroused our curiosity.

Vasily Petrenko: “Politics changes, but music remains …”

5, 6 и 7 марта за пульт Оркестра Романдской Швейцарии встанет, на сцене женевского Виктория-холла, российский дирижер, не нуждающийся в представлении любителям классической музыки. Предлагаем вашему вниманию эксклюзивное интервью маэстро.

Racism Swiss-Style, Seen by James Baldwin

The multitude of people one meets in life can easily be divided into two groups: those who lift us up and those who drag us down. The first group outweighs the second, and the earlier we choose it, the more interesting and fulfilling our existence becomes. In my youth, I had the incredible fortune of meeting many exceptional people who influenced me. James Baldwin is one of them.

The Far West of the East

The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.

“A Selfie with Anton Chekhov”

Так называется документальный фильм, которым открывается ретроспектива швейцарского режиссера Доминик де Рива в Швейцарской синематеке в Лозанне.

Not a Child’s Game

Nasha Gazeta invites its concerned readers to a concert organized with young musicians and dedicated to them.

Konstantin Mitenev: Awaiting Expulsion

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

To Novosibirsk, to Novosibirsk!

It so happened that over the past couple of months I have plunged headlong into the work of the 35-year-old Russian director Timofey Kulyabin, towards whom I had previously – and now it can be admitted – felt a certain wariness: the scandalous story with Tannhäuser had indeed left that notorious taint.

Paata Burchuladze: An Heir of the Russian Bass School

On 29 May, the Mikhailovsky Theatre in St Petersburg will host a gala concert marking the 40th anniversary of the artistic career of the distinguished Georgian singer. I had the opportunity to speak with him shortly before this event.

Paata, you were born in Tbilisi, studied in Milan and Odessa, yet you describe yourself as a representative of the Russian bass school. Why?

Elisaveta Leonskaya: “We were taught to look for music within ourselves”

In all the photographs, Elisaveta Ilyinichna Leonskaya, whom the French-language press refers to only as a grande dame, is dressed in black, without a smile. I too imagined her as strict, unapproachable, withdrawn. Yet upon meeting her in person, this image dissolved within minutes. The main feature of Leonskaya’s face is her eyes. Large, blue, radiant, drawing one in. Next comes the smile, which hardly ever leaves her face.

Evgeny Kissin: “My Only Criterion Is Love”

As part of the Verbier Festival, which concluded a few days ago, the celebrated musician agreed to a public interview, which the organisers entrusted to the author of these lines. It turns out that had Kissin not become a pianist, he might have become a journalist.

Yuri Norstein: “We simply work…”

One of the guests at the “Zaubersee” music festival, recently held in Lucerne, was, somewhat unexpectedly, the outstanding Russian animator whose Tale of Tales was признана the greatest animated film of all time. His work was the focus of a special programme, “An Evening with Norstein”. I had the rare opportunity to speak with the Master in a relatively calm setting.

About the author

Nadia Sikorsky

Nadia Sikorsky grew up in Moscow where she obtained a master's degree in journalism and a doctorate in history from Moscow State University. After 13 years at UNESCO, in Paris and then in Geneva, and having served as director of communications at Green Cross International founded by Mikhail Gorbachev, she developed NashaGazeta.ch, the first online Russian-language daily newspaper, launched in 2007.

In 2022, she found herself among those who, according to Le Temps editorial board, "significantly contributed to the success of French-speaking Switzerland," thus appearing among opinion makers and economic, political, scientific and cultural leaders: the Forum of 100.

After 18 years leading NashaGazeta.ch, Nadia Sikorsky decided to return to her roots and focus on what truly fascinates her: culture in all its diversity. This decision took the form of this trilingual cultural blog (Russian, English, French) born in the heart of Europe – in Switzerland, her adopted country, the country distinguished by its multiculturalism and multilingualism.

Nadia Sikorsky does not present herself as a "Russian voice," but as the voice of a European of Russian origin (more than 35 years in Europe, 25 years spent in Switzerland) with the benefit of more than 30 years of professional experience in the cultural world at the international level. She positions herself as a cultural mediator between Russian and European traditions; the title of the blog, "The Russian Accent," captures this essence – the accent being not a linguistic barrier, not a political position but a distinctive cultural imprint in the European context.

Events
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The Orchestre de la Suisse Romande invites music lovers to concerts in Geneva, Lausanne and Lucerne on May 20, 21 and 22. Under the direction of Lithuanian conductor Mirga Gražinytė-Tyla, with Latvian pianist Georgijs Osokins as soloist, the orchestra presents an original programme featuring works by Frank Martin, Frédéric Chopin, Claude Debussy and Maurice Ravel.

Today in Europe, and tomorrow in Russia, Victory Day is commemorated: for Europeans, the Second World War; for Russians, the Great Patriotic War. Unfortunately, this holiday has ceased to be shared. It is precisely these days that the exhibition We and War is taking place at the Swiss National Museum in Zurich, in a country that did not take part in combat operations.

To begin with, let me clarify: this is not about the French political figure whose remains rest in the Panthéon, but about a religious thinker and philosopher who, at the age of ten, declared herself a “Bolshevik”.