Russian Accent | Blog of Nadia Sikorsky

On November 27, the Jerusalem Quartet will perform at the Geneva Conservatory. Three of its members speak fluent Russian. I am delighted to present this wonderful chamber music program and to give the floor to one of the ensemble’s co-founders. The interview took place a few days before the shameful incident at the Philharmonie de Paris.

After a three-year absence, world-renowned Russian soprano Anna Netrebko returned to the Zurich Opera House in the role of Donna Leonora in Giuseppe Verdi's masterpiece, commissioned by Tsar Alexander II and first presented to the public in St. Petersburg. The premiere took place despite the Ukrainian Embassy in Switzerland's demand that it be canceled.

Thus, paraphrasing the title of an old Woody Allen movie, one could title the exhibition "Vallotton Forever," currently showing at the Cantonal Museum of Fine Arts in Lausanne and dedicated to one of Switzerland's most famous artists.

Cette question est au cœur du nouveau recueil d’essais de Mikhaïl Chichkine, Le Bateau de marbre blanc, paru récemment en français aux éditions lausannoises Éditions Noir sur Blanc et disponible dans les librairies de Suisse, France, Belgique et Canada.

Aujourd'hui, à l'occasion de l'anniversaire de l'attentat perpétré par le Hamas, un attentat qui a eu pour effet de repousser indéfiniment la possibilité d'une paix au Moyen-Orient, je souhaite vous présenter le livre d'une femme qui sait de quoi elle parle.

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.