Russian Accent | Blog of Nadia Sikorsky

A Picnic with Tarkovsky Aboard a Container Ship

The title of my blog suggests a connection with something, if not Russian, then at least connected to the Russian-speaking world – I had to set myself some kind of framework. And it can be frustrating when you want to write about something and no such connection can be found. But that happens rarely.

Let the Chorus Prevail!

Tickets for all nine performances of Verdi’s Nabucco at Milan’s La Scala, the last of which will take place on 9 June, sold out long ago. This is hardly surprising, given both the genius of the music and the level of the cast, led by Anna Netrebko as Abigaille.

From Schubert to Chopin: on time and memory

On 8 June, the remarkable pianist Arcadi Volodos will appear at Victoria Hall. If you have not yet heard him, do not miss the opportunity to discover a truly great musician.

Paata Burchuladze: The Voice Behind Bars

On 7 May, the Tbilisi City Court sentenced the world-famous Georgian opera singer Paata Burchuladze to seven years in prison on charges of organising mass violence, attempting to seize a strategic facility, and calling for the overthrow of the government.

Musical Elements: from the Baltic Sea to the Swiss lakes

The Orchestre de la Suisse Romande invites music lovers to concerts in Geneva, Lausanne and Lucerne on May 20, 21 and 22. Under the direction of Lithuanian conductor Mirga Gražinytė-Tyla, with Latvian pianist Georgijs Osokins as soloist, the orchestra presents an original programme featuring works by Frank Martin, Frédéric Chopin, Claude Debussy and Maurice Ravel.

Armed Swiss Neutrality: in the Museum and in Life

Today in Europe, and tomorrow in Russia, Victory Day is commemorated: for Europeans, the Second World War; for Russians, the Great Patriotic War. Unfortunately, this holiday has ceased to be shared. It is precisely these days that the exhibition We and War is taking place at the Swiss National Museum in Zurich, in a country that did not take part in combat operations.

Four Hours with Pushkin and Tchaikovsky

On 2 May, the Metropolitan Opera broadcast Eugene Onegin from New York to audiences around the world. I could not resist the pleasure of hearing this beloved opera again, at the Cinéma Empire in Geneva.

What do you know about Simone Weil?

To begin with, let me clarify: this is not about the French political figure whose remains rest in the Panthéon, but about a religious thinker and philosopher who, at the age of ten, declared herself a “Bolshevik”.

Alain Blum and Emilia Koustova: "History shows us how unpredictable the future is!"

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

Vladimir Jurowski: "Music can afford to be apolitical, but the musician cannot"

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.

The Secrets of the Gstaad Palace

The Palace, Roman Polanski’s black comedy, which has proven adept at provoking sharply polarized reactions, has been released in Swiss cinemas, first in the German-speaking part of the country and now in French-speaking Switzerland. The reception it has received has aroused our curiosity.

Vasily Petrenko: “Politics changes, but music remains …”

5, 6 и 7 марта за пульт Оркестра Романдской Швейцарии встанет, на сцене женевского Виктория-холла, российский дирижер, не нуждающийся в представлении любителям классической музыки. Предлагаем вашему вниманию эксклюзивное интервью маэстро.

Racism Swiss-Style, Seen by James Baldwin

The multitude of people one meets in life can easily be divided into two groups: those who lift us up and those who drag us down. The first group outweighs the second, and the earlier we choose it, the more interesting and fulfilling our existence becomes. In my youth, I had the incredible fortune of meeting many exceptional people who influenced me. James Baldwin is one of them.

‘Even the Hardest Heart Holds Kindness’

Сегодня в книжные магазины Швейцарии и Франции поступит роман известной российской писательницы Гузель Яхиной «Эшелон на Самарканд», выпущенный издательством Noir sur Blanc в переводе на французский Мод Мабийяр. Незадолго до этого события мы побеседовали с автором по Скайпу.

The Far West of the East

The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.

“…and the darkness will fall”

Despite everything, this is still a season of light and gifts; of lux and luxury. So I decided to combine the two by going to La Scala for Boris Godunov. I know this opera by heart; I have seen it… I no longer remember how many times, in all kinds of productions, including at the Grand Théâtre de Genève and at Opernhaus Zürich.

“A Selfie with Anton Chekhov”

Так называется документальный фильм, которым открывается ретроспектива швейцарского режиссера Доминик де Рива в Швейцарской синематеке в Лозанне.

Not a Child’s Game

Nasha Gazeta invites its concerned readers to a concert organized with young musicians and dedicated to them.

Konstantin Mitenev: Awaiting Expulsion

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

Guzel Yakhina and Her ‘Children’

To mark the publication in French of Guzel Yakhina’s novel A Volga Tale by Éditions Noir sur Blanc in Lausanne, we spoke once again to the acclaimed Russian writer and asked her thirteen questions. Maud Mabillard’s translation will reach Swiss bookshops tomorrow, 19 August 2021.

Zuleikha, Don’t Close Your Eyes!

A scandal has erupted in Russia over the television adaptation of Guzel Yakhina’s novel Zuleikha, whose final episode was broadcast yesterday on Rossiya 1. The accusations levelled at the production team strike us as symptomatic of Russian society.

To Novosibirsk, to Novosibirsk!

It so happened that over the past couple of months I have plunged headlong into the work of the 35-year-old Russian director Timofey Kulyabin, towards whom I had previously – and now it can be admitted – felt a certain wariness: the scandalous story with Tannhäuser had indeed left that notorious taint.

Paata Burchuladze: An Heir of the Russian Bass School

On 29 May, the Mikhailovsky Theatre in St Petersburg will host a gala concert marking the 40th anniversary of the artistic career of the distinguished Georgian singer. I had the opportunity to speak with him shortly before this event.

Paata, you were born in Tbilisi, studied in Milan and Odessa, yet you describe yourself as a representative of the Russian bass school. Why?

Guzel Yakhina: ‘There Is No Point in Resenting the Past’

Last August, the Lausanne-based publishing house Noir sur Blanc brought out the French translation of Zuleikha Opens Her Eyes, winner of Russia’s Big Book Award.

In my view, Guzel Yakhina’s debut novel has been one of the most remarkable events in Russian literary life in recent years. And not merely because of the official recognition it has received. What matters most is that I do not know a single person who has remained indifferent to it.

Elisaveta Leonskaya: “We were taught to look for music within ourselves”

In all the photographs, Elisaveta Ilyinichna Leonskaya, whom the French-language press refers to only as a grande dame, is dressed in black, without a smile. I too imagined her as strict, unapproachable, withdrawn. Yet upon meeting her in person, this image dissolved within minutes. The main feature of Leonskaya’s face is her eyes. Large, blue, radiant, drawing one in. Next comes the smile, which hardly ever leaves her face.

Evgeny Kissin: “My Only Criterion Is Love”

As part of the Verbier Festival, which concluded a few days ago, the celebrated musician agreed to a public interview, which the organisers entrusted to the author of these lines. It turns out that had Kissin not become a pianist, he might have become a journalist.

Yuri Norstein: “We simply work…”

One of the guests at the “Zaubersee” music festival, recently held in Lucerne, was, somewhat unexpectedly, the outstanding Russian animator whose Tale of Tales was признана the greatest animated film of all time. His work was the focus of a special programme, “An Evening with Norstein”. I had the rare opportunity to speak with the Master in a relatively calm setting.

About the author

Nadia Sikorsky

Nadia Sikorsky grew up in Moscow where she obtained a master's degree in journalism and a doctorate in history from Moscow State University. After 13 years at UNESCO, in Paris and then in Geneva, and having served as director of communications at Green Cross International founded by Mikhail Gorbachev, she developed NashaGazeta.ch, the first online Russian-language daily newspaper, launched in 2007.

In 2022, she found herself among those who, according to Le Temps editorial board, "significantly contributed to the success of French-speaking Switzerland," thus appearing among opinion makers and economic, political, scientific and cultural leaders: the Forum of 100.

After 18 years leading NashaGazeta.ch, Nadia Sikorsky decided to return to her roots and focus on what truly fascinates her: culture in all its diversity. This decision took the form of this trilingual cultural blog (Russian, English, French) born in the heart of Europe – in Switzerland, her adopted country, the country distinguished by its multiculturalism and multilingualism.

Nadia Sikorsky does not present herself as a "Russian voice," but as the voice of a European of Russian origin with the benefit of more than 30 years of professional experience in the cultural world. She positions herself as a cultural mediator between Russian and European traditions; the title of the blog, "The Russian Accent," captures this essence – the accent being not a linguistic barrier, not a political position but a distinctive cultural imprint in the European context.

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