Russian Accent | Blog of Nadia Sikorsky

Konstantin Mitenev: Awaiting Expulsion

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

Babi Yar. Context

As part of Geneva’s Black Movie film festival, a documentary by Ukrainian director Sergei Loznitsa will be screened.

Guzel Yakhina and Her ‘Children’

To mark the publication in French of Guzel Yakhina’s novel A Volga Tale by Éditions Noir sur Blanc in Lausanne, we spoke once again to the acclaimed Russian writer and asked her thirteen questions. Maud Mabillard’s translation will reach Swiss bookshops tomorrow, 19 August 2021.

Zuleikha, Don’t Close Your Eyes!

A scandal has erupted in Russia over the television adaptation of Guzel Yakhina’s novel Zuleikha, whose final episode was broadcast yesterday on Rossiya 1. The accusations levelled at the production team strike us as symptomatic of Russian society.

To Novosibirsk, to Novosibirsk!

It so happened that over the past couple of months I have plunged headlong into the work of the 35-year-old Russian director Timofey Kulyabin, towards whom I had previously – and now it can be admitted – felt a certain wariness: the scandalous story with Tannhäuser had indeed left that notorious taint.

Paata Burchuladze: An Heir of the Russian Bass School

On 29 May, the Mikhailovsky Theatre in St Petersburg will host a gala concert marking the 40th anniversary of the artistic career of the distinguished Georgian singer. I had the opportunity to speak with him shortly before this event.

Paata, you were born in Tbilisi, studied in Milan and Odessa, yet you describe yourself as a representative of the Russian bass school. Why?

Guzel Yakhina: ‘There Is No Point in Resenting the Past’

Last August, the Lausanne-based publishing house Noir sur Blanc brought out the French translation of Zuleikha Opens Her Eyes, winner of Russia’s Big Book Award.

In my view, Guzel Yakhina’s debut novel has been one of the most remarkable events in Russian literary life in recent years. And not merely because of the official recognition it has received. What matters most is that I do not know a single person who has remained indifferent to it.

About the author

Nadia Sikorsky

Nadia Sikorsky was born and raised in Moscow. She graduated from the Faculty of Journalism at Moscow State University and went on to complete her postgraduate studies there, earning a PhD in History. She spent 13 years at UNESCO, first in Paris and then in Geneva. After serving as Director of Communications at Green Cross International, founded by Mikhail Gorbachev, she launched NashaGazeta.ch in 2007, Switzerland’s first Russian-language online daily newspaper.

In 2022, Nadia Sikorsky was named to Le Temps’ Forum des 100, which brings together individuals who, in the newspaper’s view, have “significantly contributed to the success of French-speaking Switzerland”, from across public life, business, politics, science and culture.

After 18 years at the helm of NashaGazeta.ch, Nadia Sikorsky decided to devote herself to what had always held a special place in her work as a journalist: culture in all its diversity. This led to the creation of Russian Accent, a trilingual cultural blog in Russian, French and English, born in the heart of Europe, in Switzerland, which has become her second home and whose multiculturalism and multilingualism have helped shape the character of this new project.

At the heart of the project is the perspective of a European of Russian origin, drawing on more than 35 years of professional experience and a deep knowledge of both cultural traditions. Nadia Sikorsky sees her role as that of a cultural mediator between the two. The title of the blog, Russian Accent, reflects this idea: the accent is neither a linguistic barrier nor a political position, but a distinctive cultural imprint within a European context.

Events
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On 28 October, two outstanding pianists will perform together in Geneva as part of Caecilia’s Les Grands Interprètes series. Familiar works reveal unexpected musical, literary and historical connections.

Belgian director Pierre Massaux has adapted for the stage Giuliano da Empoli’s much-talked-about book, in which he offered Western audiences a psychological portrait of President Putin. To see the result for myself, I made the journey all the way to St Gallen.

On 8 and 10 October, the Orchestre de la Suisse Romande will strike a Finnish note, at its home in Geneva’s Victoria Hall and in Évian, France. Don’t miss the chance to hear music that will surely be new to many.